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Wassily Kandinsky, Composition VI oil painting reproduction

Composition VI

Oil Painting Reproduction on Canvas

5 stars rating 1256 customer reviews   

Date: 1913, Expressionism, The Hermitage Museum, Russia
Item: painting-11469

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  Oil painting on canvas, 100% hand-painted by our master artists
  Paintings will be delivered within 3-4 weeks from date of order
  The canvas is rolled up and inserted in a round sturdy tube for delivery
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  Paintings come with a Certificate of Authenticity

Orientation: Landscape (width is larger than height)
Size (inch) Size (cm) Gallery Price   Our Price   In Stock  
 30" x 20"(76 cm x 51 cm)$435.00$265.00 
 36" x 24"(92 cm x 61 cm)$515.00$305.00 
 46" x 30"(117 cm x 76 cm)$695.00$395.00 
 54" x 36"(137 cm x 92 cm)$915.00$505.00 
 60" x 40"(150 cm x 100 cm)$1,055.00$575.00 
 72" x 48"(183 cm x 122 cm)$1,375.00$735.00 

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Aged & Cracked Finish is not available for this painting

The unique Aged & Cracked process is not available for all paintings. It is suitable only for paintings with smooth surfaces and not for ones with thick, built-up brushstrokes such as Impressionist, Contemporary and Van Gogh's paintings.

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    Wassily Kandinsky Composition VI

    Possibly the most influential painting in the Hermitage collection, Wassily Kandinsky's 1913 Composition VI was completed shortly before the outbreak of World War I. It would be a decade before the artist completed his next in the series, Composition VII. His 1913 canvas ignited a pictorial revolution based on the idea of exceeding the figurative appearance of form by allowing access to the spiritual world beyond the frame. Composition VI almost seems to predict the major global disaster that was soon to wreak havoc. In the work, the destruction of the material world by the flood of shapes and colour sees forms and appearances disintegrate before the viewer's eyes. The main focus of the composition is the evanescent pink and white core which spews forth large diagonals in the all colours of the rainbow, which, aligned with the strings of a musical instrument, symbolizes a sense of the triumph of harmony over chaos.

    For Kandinsky, the visual representation of shape and color was not sufficient to develop a formal visual style, instead opting to develop a scale of colour symbolism that would run throughout his oeuvre. Each color and each shape has a specific meaning, a meaning he closely associated with modernist music, and as a result in his paintings arise an actual musical harmony. Following his seminal 1911 essay Concerning the Spiritual in Art which formulated a united front of art production, art history and art education. Kandinsky's goal was to streamline the teaching of art as a discipline comparable to that of science. In the course of his career, Kandinsky kept trying to give his ideas an institutional glaze. Composition VI can be read as a reaction to this urge to both education and revolutionize the very nature of art. It is an abstract work rich in color variations and contrasts: from the opaque color tint to an ambiguous sense of precision. Although some colors are dark, the composition remains bright and soft, the black lines only serve to accentuate the impression of movement and set some boundaries in opposition to the masses of blurred colors that blend into each other.

    In the early twentieth century,a number of artist movements looked for the real subject of their works in the act of painting itself, thus opening the door to abstract painting. Kandinsky's concrete topics distorted color to find its resonances, and his series of Improvisations and Compositions can be seen as piece-by-piece manifestoes of an artistic revolvution.

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    HomeArt SubjectsContemporary ArtComposition VI
    HomeEditor's PicksThe Hermitage Museum, RussiaComposition VI
    HomeArt SubjectsAbstract ArtComposition VI
    HomeArt StylesExpressionismComposition VI
    HomeMuseum CollectionsThe Hermitage Museum, RussiaComposition VI
    HomeArtist A to ZKandinsky, WassilyComposition VI

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