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Paul Klee, Senecio oil painting reproduction


Oil Painting Reproduction on Canvas

5 stars rating 1256 customer reviews   

Artist: Paul Klee
Date: 1922, Expressionism, Kunstmuseum Basel, Switzerland
Item: painting-9033

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Click the thumbnails below to view actual close-up images
Senecio by Paul KleeSenecio by Paul KleeSenecio by Paul KleeSenecio by Paul KleeSenecio by Paul KleeSenecio by Paul Klee

  Oil painting on canvas, 100% hand-painted by our master artists
  Paintings will be delivered within 3-4 weeks from date of order
  The canvas is rolled up and inserted in a round sturdy tube for delivery
  The watermark will not be on the actual reproductions
  Paintings come with a Certificate of Authenticity

Orientation: Square (width and height are equals)
Size (inch) Size (cm) Gallery Price   Our Price   In Stock  
 20" x 20"(51 cm x 51 cm)$375.00$235.00 
 24" x 24"(61 cm x 61 cm)$415.00$255.00 
 30" x 30"(76 cm x 76 cm)$555.00$325.00 
 36" x 36"(92 cm x 92 cm)$675.00$385.00 
 40" x 40"(102 cm x 102 cm)$795.00$445.00 
 48" x 48"(122 cm x 122 cm)$1,015.00$555.00 
 60" x 60"(152 cm x 152 cm)$1,435.00$765.00 

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Aged & Cracked Finish is not available for this painting

The unique Aged & Cracked process is not available for all paintings. It is suitable only for paintings with smooth surfaces and not for ones with thick, built-up brushstrokes such as Impressionist, Contemporary and Van Gogh's paintings.

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    4) Delivery Details:
  • Finished painting will be delivered unstretched to minimize any possible damages
  • The canvas is rolled up and inserted in round, sturdy cardboard tube
  • Paintings include 2-3" (5-8 cm) of extra canvas around the actual painted artwork
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    Paul Klee Senecio

    Paul Klee's 1922 Senecio is a chalk and pastel work of intriguing simplicity and primitivism, and is currently housed at the Offentliche Kunstammlung, Basel. It is a figurative and abstract depiction of a character composed entirely of simple geometric shapes that instantly attracts the eye with bright orange hues that belie the small size of the canvas. Despite the elemental nature of the formal composition Klee managed to give a distinct expression to the face. With a black circle forming the right eyebrow, the artist gives his work an air of ambiguity, astonishment, and condescension. Senecio is less a painting than an anthropomorphic image. It's a piece that almost reaches abstraction but without neglecting to be anchored in a figurative reality, and thus reveals Klee's great skill in his use of lines and geometric shapes. It's a statement of intent, a summary of his oeuvre in which one can see the culmination of his development as a painter, and his remarkable games of composition all offset and triggered by his idiosyncratic use of color.

    In Senecio, the human face emerges as one schematically divided into colour boxes like a macabre grimace, viewed through the lens of the primitive masks that so seduced the early avant-garde artists of the twentieth century. The face is divided into four parts, of which the viewer is shown a barrage of shapes, such as the triangular left eyebrow or the subtle arc which defines the circumference of the right eyebrow. The title of the work references a genus of poisonous flower but also the Roman philosopher Seneca. Many have also argued that the colours of each of the parts into which the face is divided is reminiscent of a Harlequin, a clown-like comic servant character of the eighteenth century Italian theatre genre Commedia dell'arte. Senecio therefore belongs to Klee's series of works that explored the world of the actor and the stage, the boundaries between reality and fiction, and the meta-textual world of modernist theatre, which saw a thematic revival of the Commedia dell'arte.

    At this point in his artistic development Paul Klee was working with the artists Kandinsky, Jawlensky and Feininger producing mysterious and colourful images that experimented with the abstraction of form through a study of colour and its effects. Indeed, Klee taught colour theory at the prestigious Bauhaus school, making him one of the rare figures of his time to take up the study as the motor of his creative process.

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