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Claude Monet, The Parc Monceau oil painting reproduction

The Parc Monceau

Oil Painting Reproduction on Canvas

5 stars rating 1256 customer reviews   

Artist: Claude Monet
Date: 1878, Impressionism, The Metropolitan Museum of Art, NY
Item: painting-1712

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  Oil painting on canvas, 100% hand-painted by our master artists
  Paintings will be delivered within 3-4 weeks from date of order
  The canvas is rolled up and inserted in a round sturdy tube for delivery
  The watermark will not be on the actual reproductions
  Paintings come with a Certificate of Authenticity

Orientation: Portrait (height is larger than width)
Size (inch) Size (cm) Gallery Price   Our Price   In Stock  
 16" x 24"(41 cm x 61 cm)$335.00$215.00 
 20" x 30"(51 cm x 76 cm)$415.00$255.00 
 24" x 36"(61 cm x 92 cm)$495.00$295.00 
 30" x 46"(76 cm x 117 cm)$675.00$385.00 
 36" x 54"(92 cm x 137 cm)$895.00$495.00 
 40" x 60"(100 cm x 150 cm)$1,035.00$565.00 
 48" x 72"(122 cm x 183 cm)$1,355.00$725.00 
Original Size:
 21.4" x 28.6" (54.3 cm x 72.7 cm) $415.00$255.00 

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Aged & Cracked Finish is not available for this painting

The unique Aged & Cracked process is not available for all paintings. It is suitable only for paintings with smooth surfaces and not for ones with thick, built-up brushstrokes such as Impressionist, Contemporary and Van Gogh's paintings.

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    Claude Monet The Parc Monceau

    Painted in 1878 and first exhibited at the fourth independent exhibition of the Impressionists in 1879, Claude Monet's The Parc Monceau is certainly less famous than other of the artist works that sit in the collection of the Metropolitan Museum of Art, but is arguably the most ephemeral, eye-catching, and relentlessly positive. In this brief interstice between the artist's initial critical condemnation that coincided with the first independent Impressionist exhibitions, and the decline and death of his first wife and muse in 1879, The Parc Monceau coincides with a period of apparent joy and enthusiasm. The Parc Monceau is a painting of a large urban park in the eight arrondissement of Paris, which had been open since 1861. A haunt of the idle rich and wealthy bankers, Monet must have felt the stark contrast between these promenading bourgeoisie and himself, a struggling painter. But if he did, it has not reflected in the canvas. This stunning portrayal of urban retreat seems almost to waver between two- and three dimensionality, and is a testament to the artist's astonishing skill and scope.

    In March of the same year Monet's second son was born, and his painting The Rue Montorgueil in Paris, painted sometime after June 30th, is a jingoistic bellow of good-fortune and patriotic fervour. The artist, it seems, was in love with life and with his country. 1878 was also the year of the World's Fair, a giant cosmopolitan festival that drew cultural, scientific, political, and artistic minds into one trans-nationalistic vortex. Certainly, this was a year for the artist to transfer onto the canvas the excitement that was beginning to surround the burgeoning Impressionist movement. In The Parc Monceau one can see the serenity and joy the artist felt during this bombastic summer. Yet, the good times were about to fade, as Monet and his first wife Camille were forced to flee their village idyll of Argenteuil due to a vast accumulation of unpaid debts. Packing his wife and son off to Scotland, Monet painted what might just be his last work set in Paris. In this regard The Parc Monceau is a stunning artefact of what could have been. Having painted a number of urban studies, Monet was forced to abandon the city as the setting for his majestic studies of light, and installed himself in the town of Vetheuil, rarely returning to Paris at all.

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    HomeEditor's PicksThe Metropolitan Museum of Art, NYThe Parc Monceau
    HomeArt SubjectsLandscapeThe Parc Monceau
    HomeArt StylesImpressionismThe Parc Monceau
    HomeMuseum CollectionsThe Metropolitan Museum of Art, NYThe Parc Monceau
    HomeArtist A to ZMonet, ClaudeThe Parc Monceau

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