Post-Impressionism is the term coined by the British artist and art critic Roger Fry in 1910, to describe the development of European art since Manet. Post-Impressionism is a term best used within Rewald's definition in a strictly historical manner, concentrating on French art between 1886 and 1914, and re-considering the altered positions of impressionist painters like Claude Monet, Camille Pissarro, Auguste Renoir, and others.
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